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Impossible Things, by Connie Willis
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Winner of six Nebula and two Hugo awards for her fiction, Connie Willis is acclaimed for her gifted imagination and bold invention. Here are eleven of her finest stories, surprising tales in which the impossible becomes real, the real becomes impossible, and strangeness lurks at every turn.
The end of the world comes not with a bang but a series of whimpers over many years in "The Last of the Winnebagos."
The terror of pain and dying gives birth to a startling truth about the nature of the stars, a principle known as the "Schwarzschild Radius."
In "Spice Pogrom," an outrageous colony in outer space becomes the setting for a screwball comedy of bizarre complications, mistaken identities, far-too-friendly aliens--and even true love.
- Sales Rank: #793625 in Books
- Brand: Spectra
- Published on: 1993-12-01
- Released on: 1993-12-01
- Original language: English
- Number of items: 1
- Dimensions: 6.90" h x .90" w x 4.20" l, .50 pounds
- Binding: Mass Market Paperback
- 480 pages
Features
From Publishers Weekly
Willis ( Lincoln's Dreams ) demonstrates her sly wit and quirky perspective in this solid collection of 11 previously published science fiction pieces. Romance becomes entangled with interplanetary negotiations when a Navy linguist and the neglected fiancee of an officious NASA diplomat try to keep a visiting alien happy--even though language problems obscure whether the powers-that-be are arranging a space program or a spice pogrom. In a story that will look like SF only to readers who have steered clear of higher education lately, a consultant promoting "relevantness" and modern pedagogical theory nips at the heels of professors teaching paleontology at a state university. During the Battle of Britain, a Civil Defense worker gains a disturbing insight into himself and the war from a mysterious volunteer who has an uncanny ability to locate bombing victims buried under rubble. Willis's fondness for Shakespeare translates into two stories: one considers how much text would be left intact if all right-wing, left-wing and special-interest groups could delete the bits of which they do not approve; the other tackles the old conundrum, If Shakespeare wasn't Shakespeare, who was?
Copyright 1993 Reed Business Information, Inc.
From School Library Journal
YA?This must-have collection includes several of Willis's prize-winning (Hugo and Nebula) stories. Any library buffeted by the winds of censorship needs to include "Ado," a hilarious send-up in which the attempt to please everyone is carried to its logical extreme. "Spice Pogrom" makes it clear exactly how difficult real communication is, and "Schwarzchild Radius" is a fascinating whole-language addition to the physics curriculum. "Even the Queen," however, is the indispensable selection. The author's introductions to each piece are a lovely bonus.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
Eleven short stories by one of sf's most exciting new voices explores topics that range from Shakespeare to feminism to quantum physics. Most of these stories have only seen magazine publication.
Copyright 1993 Reed Business Information, Inc.
Most helpful customer reviews
34 of 37 people found the following review helpful.
Masterful short stories
By Glen Engel Cox
A collection of stories by Connie Willis, one of the modern masters of the science fiction short.
"The Last of the Winnebagos" -- I remember reading this story years ago and not caring for it that much. Rereadiug it ten years later, I find it much more appealing. In one sense it is a mystery story; in another it is a cautionary tale. The way that Willis weaves together the two-- the tale of the dead dog and the new, authoritarian society--is fresh and clever. Sentimental? Yes. But in the best way.
"Even the Queen" -- One of my favorite stories, not just because it flirts with taboo, but because it is written with such an easy and joyous manner. Willis' comic stories are like those by Wodehouse--she is never content with a single gag, but can mix in wordplay, pop references, slapstick, and play off the old cliches in new and unpredictable ways.
"Schwarzchild Radius" -- Just so as you don't get the impression that I worship the paper that Willis types upon, I will gladly admit that I don't care for this particular story. I believe that this was one of the first stories in which she portrays a physics concept in characters and setting. Later on, in "Blued Moon" and "At the Rialto," the same method, when used with comedy, works to much better effect.
"Ado" -- One of the comedies that has not aged well, due partly to the backlash against "Political Correctness" of which this story was only a small part. There are parts that are still funny, like the running battle between the teacher and the sun worshipping student fought with Bible versus, but the end less litany of offended organizations goes stale about halfway through.
"Spice Pogrom" -- This is the kind of comedy that will never die; well, at least I hope it won't, because, like Willis, I am enamoured of the screwball as nothing else. Yes, it may seem as formulaic as any pulp adventure, but it has at its core some thing that no mere adventure story has, and that is a true sense of romance. We may want to be the Lone Ranger, but we know in our hearts that we can not ride Silver. On the other hand, with a little wit and luck, we are able to be romantic and silly--it is closer to us.
"Winter's Tale" -- One of the reasons Will is appeals to me so is that I share so many of her interests--screwballs, Wodehouse, and Shakespeare. Here the scholar in Willis truly shows, similar to her wonderful novel Doomsday Book. A great story and a history lesson--what more can you ask for?
"Chance" -- This is as close to a mainstream tale as you will ever see in a genre publication (it first appeared in Asimov's) but it is the kind of story that is popping up with more regularity in small-press literary and mainstream magazines.
"In the Late Cretacious" -- This is another one that did not age too well. Basically, it tries to put a comparison between academic competition and the evolution of dinosaurs, along with a running joke on parking. Bits are funny, but the whole is tired.
"Time Out" -- Another one in a similar vein, although in the end it feels more like "Space Pogrom" then "Ado." The comedy is present, but more organic--not relying so much on repetition, as it does character. And, while it is a story about time travel, it is also, and more importantly, a story about time.
"Jack" -- Another war story, but one that I was able to relate to. Loosely related to Dracula, this has some interesting points about war and its effect on people. Much more subtle than normal Willis fare.
"At the Rialto" -- I like this story. Of course I do--I'm a sucker for quantum physics--but even I have problems following the pattern and ideas here. In this case, Willis worked hard on her research. At least you can read it without understanding everything.
A very good collection on the whole, and definitely worth your time.
10 of 10 people found the following review helpful.
Kleenex required
By A Customer
God, "The last of the Winnebagos" has to be the saddest story ever written. I hardly ever cry when I read books; during this one, I *wept*. I had to go shut myself in another room because it was embarassing in front of my family. If you undertake to read this, make sure you have ample privacy, a box of Kleenex, and your dog right beside you.
As to the other stories--Even the Queen is hilarious, and Ado is frighteningly possible. There's plenty here. I'm not going to discuss the rest of it 'cause I'm off to buy Connie Willis' other books!
7 of 7 people found the following review helpful.
*Impossible Things* showcases Willis's unique voice
By Scrivenera
In the introduction to her Hugo-award winning story "Even the Queen," Connie Willis condemns "literary demagoguery," arguing "[Shakespeare] wrote about Human Issues--fear and ambition and guilt and regret and love--the issues that trouble and delight all of us, women included. And the only ones I want to write about." In this second collection of her short fiction, she succeeds admirably in her objective.
Willis is gifted with one of the most original voices in science fiction, one that captures the elusive rhythms of screwball comedy (as in "Even the Queen" and "Spice Pogrom"), then just as deftly evokes melancholy or tragedy ("A Winter's Tale," "Chance"). And who but Willis would even attempt to write a story dealing simultaneously with evolution, academia, and parking tickets ("In the Late Cretaceous")? My favorite story in this compilation might be "Time Out," in which a down-to-earth housewife finds herself unexpectedly snared in a secret time-travel experiment, with hilarious results. Willis's light touch is one of her best assets in a genre that can often be overwhelmingly bleak and nihilistic. The humor can sometimes be a little too glib (as in "Ado," which deals with political correctness run amok in a high school English class), but, on the whole, the tone of *Impossible Things* is well-balanced between the comic and the tragic. Best of all, Willis has remembered one of the most important lessons in science fiction--that the distance between "possible" and "impossible" can be measured by a single phrase: What If?
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