Selasa, 27 Juli 2010

[U171.Ebook] Download Egyptian Dawn: Exposing the Real Truth Behind Ancient Egypt, by Robert Temple

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Egyptian Dawn: Exposing the Real Truth Behind Ancient Egypt, by Robert Temple

Egyptian Dawn: Exposing the Real Truth Behind Ancient Egypt, by Robert Temple



Egyptian Dawn: Exposing the Real Truth Behind Ancient Egypt, by Robert Temple

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Egyptian Dawn: Exposing the Real Truth Behind Ancient Egypt, by Robert Temple

A fascinating look into the real history of the ancient civilizations, including revelatory new evidence which challenges accepted truths about the history of Egypt.

The mysteries of Ancient Egypt have proved an endless source of fascination to the world. Here, for the first time, international bestselling author Robert Temple seeks to expose the real history of this ancient civilization. In this fascinating study, Temple unearths revelatory new evidence which challenges accepted truths about the history of Egypt and questions the evidence which most Egyptologists have relied on since 1910. In doing so he has sought to answer the two big questions which have until now been taken for granted: Where did Egyptian civilization come from? And who built the pyramids, and why?

With unprecedented access to lost portions of the valley temple which have long been closed to archaeologists, Temple presents a sensational, reconstructed story of Egypt which exposes a magnitude of previously unseen evidence, including:

Pinpointing exact locations of unopened royal tombs

Presenting re-datings of key monuments using a revolutionary
new dating technique

Exposing faked evidence which has been credulously accepted by the Egyptological community

Revealing who really built the pyramids

Unearthing the real truth about Egypt's most amazing pyramid, Giza

Packed full of fantastic, never-before-seen photographs, which provide hard evidence to support Temple's claims, Egyptian Dawn opens many paths to the truth in the story of Egypt.


From the Hardcover edition.

  • Sales Rank: #1194244 in Books
  • Published on: 2011-09-05
  • Released on: 2011-09-05
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.76" h x 1.36" w x 5.10" l, 1.10 pounds
  • Binding: Paperback
  • 528 pages

Review
"A cogent and rewarding book" Fortean Times "His brilliant new book" Daily Express "This is a wonderful book ... The weight of evidence is impressive" -- Michael Baigent "Robert Temple is honest with readers, careful with his sources, and writes with zest" Daily Telegraph "Temple writes very nicely, backed up by copious scientific and historical research" The Guardian

About the Author
Professor ROBERT TEMPLE is the author of a number of incisive and provocative books including the international bestseller, The Sirius Mystery. His books have been translated into a total of 44 foreign languages. Temple is Visiting Professor of the History and Pilosophy of Science at Tsinghua University in Beijing. For many years he was a science writer for the Sunday Times, the Guardian, and a science reporter for Time-Life, as well as a frequent reviewer for nature and profile writer for The New Scientist.


From the Hardcover edition.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Giza, Stonehenge, and the `kitchen sink'---Temple's work really delivers.
By Charles Kos PhD
This is the one!

Credit should go where it is due. I have had so many paradigms blown open, and I was so excited in reading this work, which is Temple's true labor of love, created out of the genius of his love for research, that it inspired me to write this, my first Amazon review.

I have waited all my life for this book.

I read The Sirius Mystery long ago at university. I felt uncomfortable with it, because I felt he was going too deeply into analysing what I felt was essentially an story, tantalising though the information might be. After that book he took a more conventional turn in his writings, as several other excellent authors, such as Mark Lehner have done, having overcome youthful exuberance. I was and am continuing to be simply blown away by information provided in his later The Crystal Sun, and still have not finished reading that ponderous though informative work, which has taken Temple decades to write. Temple is a man interested in the truth and will not release a work incomplete, with arguments insufficiently developed.

In reading that book, (ongoing) I was shocked that here was an ancient mysteries author, somehow different from all the others. He appeared to be an order of magnitude more intelligent and capable, not merely consulting original ancient texts, such as Pliny, in selected areas, but having actually purchased and read the whole catalogue of Pliny and other relevant primary-source works, by relevant authors, and not just penguin classics, (he has even authored one) but Loeb editions as well. That is something that historians will not always do. They will often favour the judgements of a secondary source over any primary material, if it goes contrary to what the primary material states.

I like Robert Temple because he uses primary sources. Looking up secondary sources is much easier than dredging up what is often treated as questionable untranslatable hearsay from primary works. Such ideas can often be explained away as later manuscript additions anyway. Temple is always ready to go off on a little tangent and share with the reader some exciting translated information that one will never otherwise read elsewhere, something from an impossible-to-find translation of an obscure corrected 2nd edition of a text he acquired from the auction of some old academic's private library. It is a research trait which is very commendable and can only come from a man who is truly passionate and in love with his work.

To the book. Firstly, I have dedicated some of my life to finding out about and reading books about Stonehenge. From about the age 10, I would go into the libraries searching and reading out any megalith books.

When I finally got this book in my hands and opened it up, as many do, and went straight to looking at the plates. I was quite shocked, to say the least. I saw a picture of Stonehenge, which was evidently not photographed in Britain. Imagine a classic linteled Sarsen structure set in what looks like the grassland of the African Savannah? He actually turned up a black and white photograph of what appears to be a rectangular Sarsen-type arrangement, photographed in the 1870s. That alone makes this book worth 10 stars, let alone 5, for it is the photograph which has been missing from every single Stonehenge book, (perhaps 1000?) which have been written in the 20th century. For me it is more exciting than if an Arthur C. Clark obelisk had popped up in Jupiter.

Imagine, all that wasted paper and wasted effort, crafting books based upon limited information, simply because a 19th-century book on Libyan megaliths had never been consulted by Stonehenge authors? There have been countless diffusionist authors writing books on Stonehenge being Mycenaean, or even Egyptian, almost wasting decades of their lives. I have not seen a theory suggesting a link to the Libyans. If only the author of that original publication had called his work `Stonehenge in Africa', instead of the unsearchable (by Stonehenge researchers) `The Hill of Graces: A record of investigation among the Trilithons and Megalithic sites of Tripoli'?

I like his theory of a former `Libyan' naval empire, of before the third millennium BC, because it explains a riddle I was interested in. Local lore states that the stones of Callanish, Western Isles, had been built by people who arrived on boats, priests who had feathers in their hair. I thought this linked them, possibly to the Minoans, or Libyans, (who may have worn feathered headdresses) but I had never envisaged the link to Stonehenge as well.

In rapturous excitement I began emailing my antiquarian friends all the exciting things I was now discovering inside. I knew Temple was clever before, but this book puts him on a whole new level for me. He is for me, the greatest ancient-mysteries author in the world at this time.

Temple is a kind of renaissance man, able to work assiduously in both the humanities, as well as mathematics, and other areas of science. The chapter number on the geometry patterns he has uncovered, with obviously painstaking research, had me once again bouncing up and down and emailing disinterested people all this exciting info that I was reading in Temple's book. It would be mind-blowing for any pyramid mathematician or geodesy specialist. The discussion on the Pythagorean comma, also explained in The Crystal Sun, is paradigm-shifting stuff, potentially in many fields, not to mention the potential for future research that this opens up, as a way of possibly understanding early Egyptian conceptions of physics, matter, (or Egyptian concepts of the illusion of matter!) and the natural order, in former manuscripts of the Old Kingdom, which perished millennia before the opening of the Library of Alexandria.

Temple says he created a huge paper overlay of Giza to engineering precision, and uncovered a kind of grid square encompassing the pyramids which contains many mathematical patterns relevant to Egyptian art. The phrase, p. 38, `The Giza plateau was thus laid out in the most complex imaginable multiply-correlated triple design plan which was meant to be impenetrable to any investigator and to remain forever secret. It was specifically designed so that if anyone ever figured out one of the design plans they would never figure out the other two, and the decoded information would thus always be incomplete. However they did not reckon that someone armed with modern surveys could figure out all three of them,' had me running fingers through my hair in shock, forcing me to re-evaluate everything I thought I knew about Giza, and almost dancing with excitement.

Yes Mr Temple, the Egyptian pyramid mathematicians and architects were indeed obsessive-compulsive enough to try something like that. I do not wish to say anything unfair or incorrect, re Temple, but I did not then see anything to connect this remarkable statement, attached to the end of a figure, with. (perhaps a teaser for a future book?) I think he perhaps originally intended to connect this statement with some idea perhaps of how he possibly also discovered the locations of the tombs for Khufu, Khafre, and Menkaura, (as he also claims in this book) underneath removable slabs inside their funerary temples, in so doing, finding the tomb almost Raiders-of-the-Lost-Ark style, by deciphering an ancient puzzle. The quoted revelation did not seem to lead to a conclusion regarding the overlay, (his research is ongoing) which was a let down. I would like to point out that the native Saite kingly burials from the 26th dynasty were under temples, and they certainly took a keen interest in Giza, though they chose to build a brand new sarcophagus for Menkaura's pyramid.

Instead of some seeming mathematical alignment, which is what I was hoping for, a clue to the location of the tombs, Temple says, is the presence of what he thinks are guide-rope grooves. The one on the floor of the Sphinx Temple, marked as `drain' in early surveys was left at that. Temple says it was used to lower a sarcophagus down with ropes, and it possibly contains a tomb of someone before `Cheops', due to its possible deeper antiquity. This is all very exciting. Temple says it is time for archaeologists to start digging, to shed light on this whole mystery.

I have decided that I only want to give a review if a book can be given five stars, and this book has got it, and then some. This review, however, would be useless without some critical commentary, so I wish to provide some.

The stones above the King's Chamber inside the Khufu pyramid contain red graffiti, a cartouche of the Royal name, which says something resembling `Khufu'. This was uncovered in the early 19th century by Mr Richard Vyse (1784 – 1853) . It is a mark which conveniently identifies the pyramid builder. For Temple, perhaps too conveniently, for he thinks Vyse relied upon it to make his reputation as a discoverer.

Temple has written quite an argument against the red-paint markings as being genuine. This is a controversial and weak area to have chosen, particularly in light of the fresh hindsight of a recent discovery.

One trait of the markings which makes them appear genuine is that they seem to go underneath overlapping rocks placed later. In other words they were written on the stones before they were placed. That makes it seem more inconvenient that they should have been, by accident, placed there to read, inside one of the only chambers one can, (only with dynamite blasting) get into. He has argued that there is no evidence that the markings actually go underneath the stones.

Why not say, `let us wait until we have more information before rushing to judgement?' regarding the red paint. In fact, instead of arguing when or why certain crafty individuals may have forged entries into their diaries, why not just state the obvious, that we do not know for sure, and suggest that some officially-sanctioned and supervised experiment might be conducted, to clarify the issue? That can eventually be done, but it does not have to be.

I was thinking `why argue this?'. The reason is, that he needs the pyramids to be pre-4th dynasty for the carbon and new-technology stone datings to make sense, showing that they are earlier structures, possibly built by Libyans entering Egypt from the west. He also wishes very much to explain his 3000 BC stone-dating of the Menkaura pyramid. He talks about this considerably, but I would point out that it is but one dating, of one pyramid, and therefore statistically inadmissible to an argument regarding Giza. The carbon datings alone, are much better evidence, and are sufficient to establish that the pyramids are `older.' Robert Schoch thinks the earlier datings are explainable by the pyramids having been built from earlier structures. Temple also rightly shows that the pyramids contain materials which are a little too old, but states that this implies the 4th dynasty structures were built earlier, when this may not be the case.

As of 2014, it was discovered that there is in fact very similar red paint at the ends of a pyramid shaft. One pyramid shaft is eight inches in diameter, so presumably Mr Vyse did not order anyone to crawl all the way up to write something which was never going to be discovered in his lifetime. I am unsure whether the discovery preceded two overenthusiastic German antiquarians who in 2014, chipped away at the Khufu cartouche with a chisel, in order to have a sample for date testing. The irony is that the probable answer to the enigma lay in the shaft. Herodotus wrote that the pyramids were once covered with information pertaining to the food for work crews, and it is indeed workmanlike hieroglyphs which were discovered in these various chambers.

Temple however is (obviously as of 2010, but I am not sure his current opinion) adamant that the red paint is forgery, but as a reader, I did not feel convinced. There are many explanations for why a discovery would not be entered into a diary, exhaustion perhaps. In spite of all this, he has made quite an argument, the definitive argument for any future followers, that the red paint markings have been forged in the 19th century. Believing in this contention, he wanted to formulate this argument as an intellectual exercise, to see what could be dredged up. Having put a lot of work into it, he was bound to put it in his work, and is certainly convinced by it. I am glad he made it because he is a man clever enough to have done it, the right man for the job, and it makes for interesting reading.

There is a danger of a possible house of cards of mutually supporting controversial ideas in Temple's analysis. For instance. He accepts Joseph Davidovits' theory of cast stone, re the almost overlapping Egyptian pyramid blocks. Since the pyramids are apparently cast of cement, why should there be any red quarry marks at all? (These marks are known to have been made in quarries to delineate the size of the limestone block to be cut.) This then lends support to Temple's theory, based upon datings, that the pyramids are older than the three kings associated with them, since the red cartouches can no longer be associated with Khufu. The fact he is so convinced by most of his ideas really makes the book rather entertaining. It is as if Temple is saying `look, I am presenting the evidence. Here it is, ignored for decades, which proves my case.'

Temple has quite a passion for the works of early archaeologists, and rightly so. He is aware that their works may turn up details of ruins which are simply no-longer extant. In furtherance of this passion, he is not quite up on the modern terminology. He refers to the Khufu, Khafra, and Menkaura pyramids as the Cheops, Chefren and Mycerinus pyramids (the names supplied by Herodotus), perhaps in furtherance of his arguments that the former names are not the builders of these pyramids, but later kings who have effectively usurped them, recycled them. He also calls King Djoser by the more romantic and older-style Zozer. His love for the `z' extends to 1st dynasty king `Enezib', (Adjib).

The picture of Adjib's tomb, which Temple provides, is known and can also be found in Mark Lehner's The Complete Pyramids, p. 81, but that lacks Temple's explanations and investigation, which are priceless as they place the pyramid in a wider context. Yes, it indeed appears to be a stepped pyramid, a platform not simply a mound, which is located inside a niched mastaba. It would have been placed over a burial. This really helped me. It sort of implies that the stepped mound, hidden inside the Adjib mastaba, already had a ritual use, at the start of Egyptian civilisation, even if it is not encountered elsewhere in Egypt. (except in the possible shape of later mastabas)

I am reading a 2004 work by a pyramid Egyptologist, who writes that the rise and fall of the Nile gave rise to notions of a world mound of creation emerging from waters of creation: an Egyptian idea. Not so. The world mound is found around the world in early mythology, and represented in third-millenium BC mounds in Europe which preceded or paralleled the building of many Egyptian pyramids. I think that pyramid-building cultures from East, West, and in Egypt, merged their ideas, in Egypt, at different times, in the Delta region rather than in upper Egypt, in different dynasties, to create fusions of ever-new pyramid ideas. This was all before the great pyramid-building idea died out in the second millennium. I am currently working on a book, in what I would hope is the now-emerging field of world pyramids, (see Robert Schoch Voyages of the Pyramid Builders, or Phillip Coppens The New Pyramid Age for information on worldwide pyramid builders) I think that Temple's idea that Adjib's tomb is indeed topped by a pyramid, but in the first dynasty, before pyramids are supposed to have been built, due to the supposed evolution from the mastaba, is a fascinating one with some serious implications, as he points out.

The existence of the stepped pyramid platform complicates the archaeologist's explanation that there is a clear evolution from mound of earth over the grave, to stepped pyramid, entirely in Egypt, which ignores the development of pyramids or pyramid-like mounds everywhere else at the same time. It appears that since the stepped platform was utilised elsewhere, globally, in the third millennium BC, a neighbouring culture may have transplanted this idea to Egypt, probably a naval culture, since pyramids from the third millennium often are associated with boat burial. Another culture I can think of which conducts boat burials would be the Vikings. It would be a partly seafaring people, or with seafaring ancestors, who would be interested in funerary boats for the afterlife, (unless they thought of the afterlife as a sojourn down the Nile) and these boats appear right from the beginning of Egyptian history, adjoining the tomb of King Hor-Aha, the first king of the first dynasty. On the other hand, it has also been argued that boats were required for royal transport in Egypt, so the king would want one in the afterlife. The Khufu boat is certainly not an ocean-going vessel. Temple argues for a possible naval empire of megalith builders, who may be partly responsible for Giza.

Temple is also helping to bring archaeo-astronomy to Giza! He made a remarkable discovery in the c. 1998, that a shadow cast from the Khafre pyramid, upon the south face of the Khufu pyramid, at winter solstice, reflects an internal angle of the pyramid shafts. It is a discovery he says was supported, in conversation, by Dr Zahi Hawass, a Giza specialist.

Imagine if the hoards of archeo-astronomers, currently focused on Stonehenge, were to divert their attention to Egypt, more in the spirit of Norman Lockyer. It is quite exciting, the amount of possible fields that Temple opens up with his book. There is no-one else who will go to the early archaeological reports in order to point out inconsistencies with modern ideas which are now taken for granted as established fact, simply because there has been so little opposition to ideas glossed over, for decades.

This is one of the most exciting books I have ever read. It is not something I would read again however, for the rediscovery pleasure. That does not seem to be there, second time round. There are also other Temple books to read (about eleven!) which each take up a great deal of time. Then there are other authors. Temple also takes a long time to come to his conclusions, but I have a feeling I will always be going back to consult this work. This, like all his books, is a excellent minefield of information on old texts, no longer consulted, and therefore highly relevant for structuring and clarifying new information, in a timeless context.

I salute Mr Temple for sharing his impressive, interesting insights, and research, with the wider public. Thank you for making this wonderful book.

Charles Kos, author of "In Search of the Origin of Pyramids and the Lost Gods of Giza."

9 of 11 people found the following review helpful.
Promises A Lot and Delivers Little
By atomicoverload.com
I have read a few of Robert Temple's books, and whatever promise they hold for unique insights and theories are quickly crushed by the repetitive bloviation of minutia regarding every detail of every detail often not even relevant to the overall thesis, and in the end, if you can make it that far, reveals little if any substance regarding these alleged "big discoveries". In short, his books at times are literally painful to read with little payoff regarding the bigger picture and Egyptian Dawn is no exception. This is unfortunate because he is decent writer and at times interjects unexpected humor usually lacking from the genre and his research is impeccably exhaustive often delivering information and early photos you will be hard pressed to find anywhere else if at all. He is quite unique in that regard and should be commended and recognized for his efforts, but this I believe is his downfall as a writer in that he seems more impressed with his research and making the reader understand this brilliance by explaining and repeating the how/what/when/where/why of every little nugget instead of getting out of his own way and writing a good book which keeps its promises. A particularly annoying thing as well is that he often refers to a book he is planning on writing in the near future which would actually deliver on his claims yet without that book are almost meaningless. The fact is, the Sphinx Mystery, Egyptian Dawn, and his "next book" could easily, and mercifully, be combined into one and be infinitely more influential and entertaining.

One curious thing about Egyptian Dawn is though Temple reports that through his own unique research he has revealed that the cartouches in the relieving chambers of the Great Pyramid are forgeries, he claims to have never read or heard about Zecharia Sitchin's often repeated previous work regarding this same exact thing which Temples conclusions are a direct mirror. He makes note of Sitchin saying he reviewed his work after the fact, and maybe it is an eerie "coincidence", but all things considered I find this really hard to believe. Regardless, it is worthwhile at least that Temple did his own research and agrees, which right or wrong, gives at least some validation to Sitchin's original claims.

Also, the new ground-breaking dating techniques which are said to rewrite history are not so ground-breaking and have such a huge rate of error +/- that they are rendered almost meaningless.

With that being said, regardless of the nosebleeds you may incur, his books are in the end worthwhile and a study unto themselves about the importance of researching antiquarian documents and the many things once discovered now forgotten. He does have some interesting things to contribute, yet do not expect too much meat on the bone regarding the grand claims this book purports to offer. But I'm sure the NEXT book will be really great....

14 of 18 people found the following review helpful.
The brightest academic mind in our dark times
By New voice
In the future no modern academic will be remembered - except with shame. All modern academics have made a mess of ancient human history. Who will be remembered? - deep thinkers like Robert Temple.

He finally discovers the real purpose of the Giza complex. Its a mathematical monument to the astral, that is cosmological mind. who but Robert temple could have the original, non-standard academic mind (of genius) to study the ancient and 19th century texts to find what all other researchers have neglected. What unbelievable patience he has shown in all his books. all his books read like a detective story. The subject? the origin of the human mind. What does he find? Our mind is monumented with cosmology - all ignored by modern academics.

Sure he has many rich diversions - but it is the diversions of a brilliant mind who has more to deliver to the world then he can manage at times. He is the only strong author who is able to counter the internet multi-cultural propaganda of Black Africa etc. He discovers that the ancient "Libyans" were a light skinned race (Celtic?) that made the vanished rich monolithic culture that existed from Britain (Stonehenge) down to North Africa, and were the ruling class of ancient Egypt. These "Libyans" were the "race" that built the great monuments of Egypt --- Not the impoverished, starving nomadic subsistence farmers of Nubian extract, etc. The truth is hard to say these days. But Temple finds a powerful way to face the winds of modernist multi-cultural re-writing of Western history.

I have traveled twice to the Giza Plateau to verify his discoveries. I have seen his theories and researches already entered the culture: i.e. The interesting new epic poem of a space faring civilization, In My Atom is Ark, Chandos ring - contains many of his conclusions - so his work will live on even in the works of epic poets. Robert temple is the brightest academic light of our generation. Buy all his books and be enlightened about the "real" human past. Just to have his book in my house makes me feel sound and whole as an intellectual. I buy copies for my friends and family - so that tells you everything about this treasure of a man. (and no, I dont know him and he has not paid me to say these things:)

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Senin, 26 Juli 2010

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  • Published on: 2011-06-10
  • Binding: Paperback

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Sabtu, 24 Juli 2010

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The measurement of performance during an airplane's flight testing is one of the more important tasks to be accomplished during its development as it impacts on both the airplane's safety and its marketability. Performance sells airplanes. This discusses performance for both propeller-driven and jet aircraft. However, its emphasis is on propeller-driven aircraft since much of the methodology for testing of propeller driven aircraft has been lost with time. This is intended for those teaching courses in fixed-wing flight testing. It is also a reference for those involved in flight test on a daily basis or those who need knowledge of flight testing to manage those activities. The book is divided into three sections: Performance; Stability and Controller; and Hazardous Flight Tests, provide information based upon more than 30 years of experience in performing and directing such tests.

  • Published on: 2003-09-01
  • Binding: Hardcover

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Jumat, 23 Juli 2010

[V632.Ebook] Free Ebook Demian (German Edition), by Hermann Hesse

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  • Sales Rank: #1823339 in Books
  • Published on: 1996-05-03
  • Original language: German
  • Number of items: 1
  • Dimensions: 6.93" h x .51" w x 4.29" l,
  • Binding: Paperback

Language Notes
Text: German

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0 of 0 people found the following review helpful.
Hesse
By Scott Alan Falkiewicz
Never read the book, but I enjoyed listening to it. At first, I didn't really care for the reader's voice. But as the audio progressed, for me, his voice was a match for the character.

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Jumat, 16 Juli 2010

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Accompanying a major traveling exhibition, this first-ever survey of the rarely seen notebooks of Basquiat features the artist’s handwritten notes, poems, and drawings, along with related works on paper and large-scale paintings. With no formal training, Jean-Michel Basquiat (1960–1988) succeeded in developing a new and expressive style to become one of the most influential artists in the postmodern revival of figurative during the 1980s. In a series of notebooks from the early to mid-1980s, never before exhibited, Basquiat combined text and images reflecting his engagement with the countercultures of graffiti and hip-hop in New York City, as well as pop culture and world events. Filled with handwritten texts, poems, pictograms, and drawings, many of them iconic images that recur throughout his artwork—teepees, crowns, skeleton-like silhouettes, and grimacing masks—and these notebooks reveal much about the artist’s creative process and the importance of the written word in his aesthetic. With over 150 notebook pages and numerous drawings and paintings, this important book sheds new light on Basquiat’s career and his critical place in contemporary art history.

  • Sales Rank: #616250 in Books
  • Published on: 2015-04-14
  • Released on: 2015-04-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.84" h x 1.04" w x 9.89" l, 1.25 pounds
  • Binding: Hardcover
  • 246 pages

Review
"With illustrations of 160 notebook pages and numerous related works, the book provides exceptional insights into the life and works of Basquiat."
-CRAVEONLINE.COM

"With vibrant visuals and Basquiat's imaginative text, this book reinvigorates the interest for one of the truly great American artists."�
-PUBLISHERS WEEKLY

"With over 150 notebook pages and numerous drawings and paintings, this important book sheds new light on Basquiat's career and his critical place in contemporary art history."
-THE NEW AMERICAN

About the Author
Dieter Buchhart is a critic, art historian, and curator based in Vienna. Henry Louis Gates, Jr., is the Alphonse Fletcher University Professor at Harvard University, where he directs the W. E. B. Du Bois Research Institute and the Hutchins Center for African and African American Research. Tricia Laughlin Bloom is associate curator of exhibitions at the Brooklyn Museum, New York. Franklin Sirmans is department head and curator of contemporary art at the Los Angeles County Museum of Art. Christopher Stackhouse is a writer and visual artist based in Brooklyn.

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7 of 7 people found the following review helpful.
Recommended for Basquiat Completists
By Buffy
The Unknown Notebooks is a fascinating look into the sketchbooks of Jean-Michel Basquiat. He used notebooks that had blue lined paper with the black and white marbled covers. The book reproduces many of these pages which show him making lists or writing poems, with a few sketches and related paintings and works on paper. If you are a Basquiat fan this is an essential must-have book. As the four introductory essays illustrate, language was one of the key components of Basquiat's practice. These notebook pages show his relentless list making and phrasing working itself out. The plates reproduce the notebook pages as if they were objects so you see the edges of the sheets. Some are reproduced one to a page and there are often two, three, and up to four on a single page. If this is your first Basquiat book this is not the place to start. I would begin with one of his painting surveys first, followed by the "Drawing: Work from the Schorr Family" book. This one is narrowly focused on the writing in Basquiat's notebooks. But for those who can't get enough Basquiat, The Unknown Notebooks is recommended.

6 of 7 people found the following review helpful.
JOURNEY INTO THE MIND OF A CREATIVE GENIUS
By JOI C.
I was fortunate to actually visit this exhibit at the Brooklyn Museum just after it's opening a few weeks ago.....which was a very unique and stimulating experience. I collect art catalogues (Basquiat catalogues are of particular interest), so I had to have this one as well. Let me begin with a word of caution regarding this fascinating volume....if you are unfamiliar with Basquiat, this is NOT a good introduction to his work by any stretch of the imagination. ( The Shafrazi gallery has an excellent catalogue of Basquiat pieces if this is your purpose). Both the exhibition and this catalogue have VERY few finished pieces as the focus is nearly entirely on an unbound set of composition books filled with the poetry, musings, rants, notes and doodles/sketches of Jean - Michel's everyday life. For people familiar with the work and legacy of this prolific artist, these pages are a rare treat to behold. You can see his creative process through these pages: razor sharp wit, stream - of - consciousness type word associations, and incredible insight. I felt ( as did some of the other people visiting the exhibit that day) that these pages took my appreciation of Basquiat to a new level. This catalogue represents the exhibit well and adds an additional layer of depth via essay and commentary. The layout is good and the book flows well. It is a great and unique addition to my collection and I highly recommend it.

2 of 2 people found the following review helpful.
The first "outsider artist" and New York City fixture.
By B. Wolinsky
Jean-Michel Basquiat was a controversial and complex character, and as an artist, his work will no doubt be studied for years to come. His paintings all have an atmosphere of roughness, like wallpaper scratched by a cat. His biography, as stated in this book, places him in a comfortable middle class home in Brooklyn, from which he ran away as a teenager, living rough in the East Village. As discussed in the book Art After Midnight (Steven Hager, 1986), he was right at home among the starving artists and musicians of Alphabet City, where there was no money, but lots of life going on. It wasn’t a place to raise kids, but for a single man with no dependents, you were free to do as you liked.

Dr. Henry Louis Gates, a great scholar of US history, provides a written preface in this book. He says that Basquiat was born to a Haitian father and a Puerto Rican mother, which so far I know from al the other writings about him. He states that the artist grew up bilingual, which I’d assume, and that he frequented the Brooklyn Museum, which adds a bit of intrigue. His mother was often hospitalized for mental illness, and his Haitian father, an accountant, was a bit of a snappy dresser, yet as a boy he ran away from all this. Was he looking for “rougher” life? His art definitely shows a liking for frenetic things. Gates also says that the art was a fusion of influences. Was Basquiat torn between being a Haitian, a Black American, and a Puerto Rican?

The first piece of Basquiat’s is a drawing of Joe Lewis, with “St. Joe Surrounded by Snakes.” He definitely had education in classical art, he couldn’t have drawn something like this without it. We see his affinity for African American characters, only he draws this with a little more attention to modeling than in his other works. The next artwork, “Famous Negro Athletes,” has absolutely no attention to modeling or faces. The heads are merely black shapes with eyes and teeth gouged in, like primitive African masks. From the looks of it, he must have been full of energy at the time. There is, unlike both, a funny drawing of (what I assume is) a man named Leslie, lying in bed with a cigarette. It reeks of Bohemian life, almost reminding me of Oscar Wilde. In fact, it is completely unlike anything else he drew.

The artist’s “lost notebooks” reveal a lot about this man. He was a true “starving artist,” working with whatever art materials he had, on whatever paper he had, in this case a speckled notebook. The only thing missing from this book is the artist’s own words. He died in 1988, so there’s no way to ask him to talk about his work. The book doesn’t go into his relationship with Andy Warhol, which was another unusual aspect of his life, particularly since the two artists had absolutely nothing in common with each other. Then again, the sensitive and eccentric Warhol did have a liking for rough things. In the book Love Goes to Buildings on Fire (Will Hermes, 2009) the 1970’s New York gay scene fell in love with the shaggy-haired and scruffily dressed Bruce Springsteen, in his debut at Max’s Kansas City (another defunct and lost New York spot.)

Perhaps Basquiat’s “starving artist” lifestyle was what Warhol dreamed of? We’ll never know.

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Kamis, 15 Juli 2010

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Mobile Suit Gundam 08th MS Team Film Comic Volume 5, by Various

  • Published on: 1997
  • Binding: Comic

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Rabu, 14 Juli 2010

[P462.Ebook] Ebook Download Designing the User Experience of Game Development Tools, by David Lightbown

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Designing the User Experience of Game Development Tools, by David Lightbown

Most tools developers want to improve the user experience but are not given the time, lack the techniques, or don’t know where to begin.Designing the User Experience of Game Development Tools addresses these issues to empower tools developers to make positive steps toward improving the user experience of their tools.

The�book explains how to improve the user experience of game development tools. The first part of the book details the logic behind why the user experience of game tools must be improved. The second part introduces the concept of user-centered design, a process that revolves around understanding people’s goals, watching them work, learning the context in which they work, and understanding how they think.

Ideal for anyone who makes, uses, or benefits from game development tools, the book presents complex concepts in a manner that is accessible to those new to user experience design. The book illustrates many proven concepts and techniques using before-and-after examples from tools development to supply you with the real-world understanding you need to become a better game developer. It also describes how to get buy-in from your team.

Although concepts have been simplified to make the information�more easily accessible,�the text�includes resources in the footnotes if you want more details.

The book includes access to a companion website, www.UXofGameTools.com, that contains the latest revisions for the book as well as contact information. You can also follow the official Twitter account @UXofGameTools to see the latest updates and articles related to the improvement of the user experience.

  • Sales Rank: #966599 in Books
  • Published on: 2015-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .50" w x 5.90" l, .65 pounds
  • Binding: Paperback
  • 188 pages

Review

"What you are reading now is the result of David Lightbown’s first big mission on [a] very long quest. The rest is a co-op campaign and he has brought along these weapons to get us started."
―From the Foreword by Mike Acton, Engine Director, Insomniac Games

"[David’s] acclaimed lectures, now demonstrated and elaborated in this book, are brilliant and very appropriate to our industry."
―Jason Parks, Owner, Continuity AI (former Technical Artist for SCEA, THQ, and Volition)

"Lightbown tackles some complicated cognitive and scientific concepts, but does so in a completely conversational manner that is not only approachable, but fun and interesting to read."
―Jim Brown, Epic Games

"All developers owe it to their future selves to learn to apply the process presented in this book to their tools."
―Corey Johnson, Unity Technologies

"If you build games tools and are not familiar with user-centered design, then you should read this book."
―Tom Hoferek, Principal User Experience Designer, Autodesk

"David not only delivers the concepts and techniques that can be used to improve the user experience of game development tools, he also outlines … the return on investment for doing so. A must read."
―Liam Grieg, Senior UX Designer, Atlassian

"In this easy-to-read, comprehensive guide, David Lightbown applies classic principles of user-centered design to the tool-building process. ... A must-read, even if you’re not in the games industry."
―AJ Kandy, Co-Founder/Director of Design, Peterson/Kandy

About the Author

After spending most of his formative years in his parents’ basement trying to clone 8-bit console games on an Apple IIGS, David Lightbown got a job in the games industry. Since then, he has dedicated the majority of his career to working on content creation tools and pipelines.

In addition to contributing to a variety of games as a technical director, David has delivered presentations at the Game Developers Conference, Montreal International Game Summit, and SIGGRAPH, in various cities within Canada, the United States, and Europe.

He has also collaborated with Autodesk to create product reviews, training manuals, tutorial videos, and masterclasses. In 2010, he received the Autodesk Master Award for his contributions to the 3D community.

David currently holds the title of technical director at Ubisoft Montreal.

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0 of 0 people found the following review helpful.
You want to get better at it
By Eric Carter
You make game tools. You want to get better at it. This book will make you better at it. You'll see your software and your processes in a whole new light. Buy it, expense it, read it, give it to your coworkers.

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Minggu, 11 Juli 2010

[K816.Ebook] Ebook Free Forces of Nature, by Professor Brian Cox, Andrew Cohen

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Forces of Nature, by Professor Brian Cox, Andrew Cohen

A breathtaking and beautiful exploration of our planet, this groundbreaking book accompanies the new BBC One TV series, providing the deepest answers to the simplest questions.

‘What is motion?’
‘Why is every snowflake different?’
‘Why is life symmetrical?’

To answer these and many other questions, Professor Brian Cox uncovers some of the most extraordinary natural events on Earth and in the Universe and beyond.

From the immensity of the Universe and the roundness of Earth to the form of every single snowflake, the forces of nature shape everything we see. Pushed to extremes, the results are astonishing. In seeking to understand the everyday world, the colours, structure, behaviour and history of our home, we develop the knowledge and techniques necessary to step beyond the everyday and approach the Universe beyond.

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Think you know our planet?
Think again.

  • Sales Rank: #395406 in eBooks
  • Published on: 2016-06-30
  • Released on: 2016-06-30
  • Format: Kindle eBook

Review
Praise for Professor Brian Cox: 'Cox's romantic, lyrical approach to astrophysics all adds up to an experience that feels less like homework and more like having a story told to you. A really good story, too.' Guardian 'He bridges the gap between our childish sense of wonder and a rather more professional grasp of the scale of things.' Independent 'If you didn't utter a wow watching the TV, you will while reading the book.' The Times 'Engaging, ambitious and creative.' Guardian 'In this book of the acclaimed BBC2 TV series, Professor Cox shows us the cosmos as we have never seen it before - a place full of the most bizarre and powerful natural phenomena.' Sunday Express 'Will entertain and delight ... what a priceless gift that would be.' Independent on Sunday

About the Author
Professor Brian Cox, OBE is a particle physicist, a Royal Society research fellow, and a professor at the University of Manchester as well as researcher on one of the most ambitious experiments on Earth, the ATLAS experiment on the Large Hadron Collider in Switzerland. He is best known to the public as a science broadcaster and presenter of the popular BBC Wonders trilogy. Andrew Cohen is Head of the BBC Science Unit and the Executive Producer of the BBC series Human Universe. He has been responsible for a wide range of science documentaries including Horizon, the Wonders trilogy and Stargazing Live. He is an honorary lecturer in Life Sciences at the University of Manchester and lives in London with his wife and three children.

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Kamis, 08 Juli 2010

[M543.Ebook] Ebook Download The Ultimate Wine Companion: The Complete Guide to Understanding Wine

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The Ultimate Wine Companion: The Complete Guide to Understanding Wine

Kevin Zraly, author of one of the bestselling wine books of all time, Windows on the World Complete Wine Course, has assembled the finest writers of the last 50 years to explain everything you need to know about wine. Each one addresses the subject he or she is most famous for, including decanting, tasting, grapes, matching food and wine, winemaking, sustainable vineyards, the various wine regions, and terroir. Complete with regional vintage charts, grape charts, a glossary, and vintage labels, this book--now in paperback--is like an entire wine library in a single volume. Experts include: Hugh Johnson�• Robert M. Parker, Jr.�• Jancis Robinson��• Robert Mondavi •�Baron Philippe de Rothschild�• Joseph Bastianich Frank Prial�• and more!

  • Sales Rank: #89653 in Books
  • Published on: 2012-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.50" w x 1.25" l, 1.38 pounds
  • Binding: Paperback
  • 384 pages

From Booklist
Already justly renowned for his popular Windows on the World Complete Wine Course, Zraly now turns to the world of wine writing with an anthology of articles about wine that appeals particularly to the inquisitive novice looking for a structured approach to the vast world of wine lore. The greatest mystery for many is how to express in words the many diverse sensations that wine can bring to the palate. So Zraly reproduces Lettie Teague’s brief essay on tasting vocabulary. Evan Goldstein contributes his informed opinions on pairing wines with all sorts of different foods. Alan Richman gives a glimpse into that rarefied company of connoisseurs who seek out the scarcest and best wines and for whom mere price is never an obstacle. Multiple authors help introduce the stunning variety of wines from all the world’s major production areas, and sort through their most significant bottlings. --Mark Knoblauch

About the Author
Kevin Zraly is the founder and teacher of the Windows on the World Wine School that has graduated more than 14,000 students. He is the recipient of the Lifetime Achievement Award from the European Wine Council and the James Beard Award, among others. Zraly has been featured in the New York Times, People, the Wall Street Journal, GQ, Newsweek, and USA Today and is a Georges Duboeuf Book Award Winner.

Most helpful customer reviews

17 of 18 people found the following review helpful.
Brilliant resource
By Eric Miller
Zraly is the master of wine education for energetically bringing to light, simplifying and making deliciously understandable even the most complex aspects of winedom. So I was at first unsure why he created this anthology of other people's words on the subject. What I found was the holy grail and foundation material that has been the basis for wine educators, wine writers and winemakers now and for the past 40 years. Debunking wine myths with facts and studies, enhancing traditions with rich readable reasoning, this succinct body of works is one of the great reference books of our time.

12 of 13 people found the following review helpful.
A LITERARY CONFECTION!
By winebookguy
In the wine book genre we have so many serious and ponderous books, so much reference and finely organized information on grape varieties, regions, vintages etc., it just becomes exhausting at times. Do publishers not realize that some times we just want to read about wine for pleasure?

The irony is that most wine writers have written some very pleasureable pieces, but it takes an insightful, well read colleague like Kevin Zraly to gather together all these delightful tidbits. Working in the tradition of the great wine writers whom mentored Kevin, he was able to emulate the classic wine pleasure book, THE FIRESIDE BOOK OF WINE by our mutual friend, Alex Bespaloff< RIP. He gathered the best from the best, with his great personal presence in the wine biz, and the universal love and respect he enjoys from his colleagues, Kevin is perhaps the only living author who could assemble this delicious assortment of wine literary candy.
Worth twice the price and with Amazon selling for half the price it is worth 10 times what you will pay for this book!

7 of 8 people found the following review helpful.
Wine a bit - You'll feel better
By wogan
`The Ultimate Wine Companion' is a handsome book with sturdy cream coloured pages. It gives you readings about wine and an education. There are many excerpts by wine authorities, something is written about each one as their excerpt begins. There are tales of excess...spending $25,000 for a week of wine tasting and food and the real story of California wining the wine tasting in France.

Sections include thoughts on wine, tasting wine, wine and food, making wine and the different regions of the old world and the new world. There is a history of each area, information how the wine is produced and what the finished product is like. Examples of labels are shown, information about the vineyards and vintages.
The appendices give classifications, best vintages, a glossary with pronunciations, the contributor biographies and an index.
This would give anyone the information they need to become an oenologist, or enough information to be someone who knows what to expect and look for when they purchase wine.

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